This study analyzes the Jim Jarmusch film Ghost Dog: The Way of the Samurai from the perspective of cultural interaction and what it says about race relations with its presentation of a stylized version of a culturally pluralist America. Sociological theories and formal analysis were applied to examine the film’s depiction of the melting pot in American society, otherness of different ethnic groups and preservation of cultural traditions. The study suggests that though the melting pot may face problems even to the point of violence, the coexistence of different cultures within a society is an attainable goal
Why examine Dead Man? Certainly, it is not the best known- or the most accessible- western film, esp...
Justus Nieland dans son article « Graphic Violence : Native Americans and the Western Archive in Dea...
This study raises about the othering problems on technological developments concerning of the occid...
Although Jim Jarmusch is one of the most important and critically acclaimed American filmmakers of t...
This thesis looks at ethnographic film using Jim Jarmusch's 1996 Dead Man as a "site." Dead Man's p...
A review of Meaghan Morris, Siu Leung and Stephen Chan Ching-kiu (eds), Hong Kong Connections: Trans...
Jim Jarmusch’s 1995 anti-Western Dead Man, which a number of critics have celebrated as “the best fi...
UnrestrictedConstructing Japaneseness traces the changing images of Japanese and Japanese Americans ...
The aim of this paper will be to examine the stylistic and, to some extent, thematic interplay betwe...
Jim Jarmusch is an American independent film-maker whose work, despite its relative popularity and...
Film as a discourse is able to form impressions about the character, history, and culture of a natio...
The cinema of American filmmaker Jim Jarmusch resists many attempts at categorization. This thesis e...
The thesis presents a profile of an American independent film director Jim Jarmusch and the image of...
Hollywood is an important media for the United States in spreading Western ideology. The hundreds ye...
Although film history has mostly been understood in national terms, there have also been attempts to...
Why examine Dead Man? Certainly, it is not the best known- or the most accessible- western film, esp...
Justus Nieland dans son article « Graphic Violence : Native Americans and the Western Archive in Dea...
This study raises about the othering problems on technological developments concerning of the occid...
Although Jim Jarmusch is one of the most important and critically acclaimed American filmmakers of t...
This thesis looks at ethnographic film using Jim Jarmusch's 1996 Dead Man as a "site." Dead Man's p...
A review of Meaghan Morris, Siu Leung and Stephen Chan Ching-kiu (eds), Hong Kong Connections: Trans...
Jim Jarmusch’s 1995 anti-Western Dead Man, which a number of critics have celebrated as “the best fi...
UnrestrictedConstructing Japaneseness traces the changing images of Japanese and Japanese Americans ...
The aim of this paper will be to examine the stylistic and, to some extent, thematic interplay betwe...
Jim Jarmusch is an American independent film-maker whose work, despite its relative popularity and...
Film as a discourse is able to form impressions about the character, history, and culture of a natio...
The cinema of American filmmaker Jim Jarmusch resists many attempts at categorization. This thesis e...
The thesis presents a profile of an American independent film director Jim Jarmusch and the image of...
Hollywood is an important media for the United States in spreading Western ideology. The hundreds ye...
Although film history has mostly been understood in national terms, there have also been attempts to...
Why examine Dead Man? Certainly, it is not the best known- or the most accessible- western film, esp...
Justus Nieland dans son article « Graphic Violence : Native Americans and the Western Archive in Dea...
This study raises about the othering problems on technological developments concerning of the occid...